Okay, okay, I’m going to tell you what Hermione sees in Ron.
A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.
So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.
“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.
When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.
So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.
In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.
So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.
Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?
[John: Because we need to market the movie to girls.]
I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.
Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?
She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.
Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that. — Melissa Anelli THROWS IT DOWN about the way Ron and Hermione have been adapted in the movies on the latest episode of PotterCast. Listen here. This glorious rant starts at about 49:00. (via karakamos)
Here’s my friend’s dog in a banana costume
A thought experiment: Imagine how people might react if Taylor Swift released an album made up entirely of songs about wishing she could get back together with one of her exes.
We’d hear things like: “She can’t let go. She’s clingy. She’s irrational. She’s crazy.” Men would have a field day comparing her to their own “crazy” exes.
Yet when Robin Thicke released “Paula” – a plea for reconciliation with his ex-wife Paula Patton disguised as an LP — he was called incoherent, obsessed, heartfelt and, in particular, creepy.
But you didn’t hear men calling him “crazy” — even though he used it as the title of one of tracks.
No, “crazy” is typically held in reserve for women’s behavior. Men might be obsessed, driven, confused or upset. But we don’t get called “crazy” — at least not the way men reflexively label women as such.
“Crazy” is one of the five deadly words guys use to shame women into compliance. The others: Fat. Ugly. Slutty. Bitchy. They sum up the supposedly worst things a woman can be.
WHAT WE REALLY MEAN BY “CRAZY” IS: “SHE WAS UPSET, AND I DIDN’T WANT HER TO BE.”
“Crazy” is such a convenient word for men, perpetuating our sense of superiority. Men are logical; women are emotional. Emotion is the antithesis of logic. When women are too emotional, we say they are being irrational. Crazy. Wrong.
Women hear it all the time from men. “You’re overreacting,” we tell them. “Don’t worry about it so much, you’re over-thinking it.” “Don’t be so sensitive.” “Don’t be crazy.” It’s a form of gaslighting — telling women that their feelings are just wrong, that they don’t have the right to feel the way that they do. Minimizing somebody else’s feelings is a way of controlling them. If they no longer trust their own feelings and instincts, they come to rely on someone else to tell them how they’re supposed to feel.
Small wonder that abusers love to use this c-word. It’s a way of delegitimizing a woman’s authority over her own life.
Most men (#notallmen, #irony) aren’t abusers, but far too many of us reflexively call women crazy without thinking about it. We talk about how “crazy girl sex” is the best sex while we also warn men “don’t stick it in the crazy.” How I Met Your Mother warned us to watch out for “the crazy eyes” and how to process women on the “Crazy/Hot” scale. When we talk about why we broke up with our exes, we say, “She got crazy,” and our guy friends nod sagely, as if that explains everything.
Except what we’re really saying is: “She was upset, and I didn’t want her to be.”
Many men are socialized to be disconnected from our emotions — the only manly feelings we’re supposed to show are stoic silence or anger. We’re taught that to be emotional is to be feminine. As a result, we barely have a handle on our own emotions — meaning that we’re especially ill-equipped at dealing with someone else’s.
That’s where “crazy” comes in. It’s the all-purpose argument ender. Your girlfriend is upset that you didn’t call when you were going to be late? She’s being irrational. She wants you to spend time with her instead of out with the guys again? She’s being clingy. Your wife doesn’t like the long hours you’re spending with your attractive co-worker? She’s being oversensitive.
As soon as the “crazy” card is in play, women are put on the defensive. It derails the discussion from what she’s saying to how she’s saying it. We insist that someone can’t be emotional and rational at the same time, so she has to prove that she’s not being irrational. Anything she says to the contrary can just be used as evidence against her.
More often than not, I suspect, most men don’t realize what we’re saying when we call a woman crazy. Not only does it stigmatize people who have legitimate mental health issues, but it tells women that they don’t understand their own emotions, that their very real concerns and issues are secondary to men’s comfort. And it absolves men from having to take responsibility for how we make others feel.
In the professional world, we’ve had debates over labels like “bossy” and “brusque,” so often used to describe women, not men. In our interpersonal relationships and conversations, “crazy” is the adjective that needs to go. — Men really need to stop calling women crazy - Harris O’Malley (via uffu)
(Source: Washington Post, via catfishdna)
Just saw someone say that a female Thor is “offensive to people who worship Thor”.
Ah yes, because totally changing Thor’s backstory, mythology, familial relationships, etc for a COMIC isn’t offensive, but making him a woman is. Not to mention it shows a total ignorance…
Me trying to get my life together and pack.
(Source: lumineon, via 10knotes)